Hao Yun
Hao Yun
Personal Profile
Hao Yun, born in 1947, Han ethnicity, from Hohhot. Influenced by family traditions, he developed a fondness for literature, history, calligraphy, and painting from an early age. In calligraphy, he began with Tang dynasty steles, later studied various Northern Wei steles, and also explored seal script, clerical script, bamboo slips, oracle bone inscriptions, and bronze script; his running and cursive scripts are rooted in the styles of Wang Xizhi and Wang Xianzhi, and have also benefited from the techniques of Wen Zhengming. His works appeared as early as the 1970s in the Inner Mongolia Daily, and in the 1980s in the national authoritative journal Calligraphy. His biography is included in the Dictionary of Contemporary Chinese Calligraphers and Seal Carvers, edited by Liu Haisu and Sha Menghai. He won the First Prize in the First Inner Mongolia Calligraphy Competition, participated multiple times in official regional and North China five-province-calligraphy exhibitions, and his award-winning works were compiled into collections such as Calligraphy Works Commemorating the 50th Anniversary of the Establishment of Inner Mongolia Autonomous Region, North China Calligraphy Collection, Calligraphy and Painting Collection for the 20th Anniversary of the Inner Mongolia Autonomous Region People’s Congress Standing Committee, and Hohhot Calligraphy and Painting Collection.
Hao Yun is currently Director of the North China Regional Academy of Calligraphy and Painting, China Observation Network; Council Member of the China Calligraphy and Painting Art Promotion Association; Council Member of the Zhaojun Culture Research Society of the Chinese Society for Ethnology; Member of the China Calligraphers and Painters Association; Member of the Inner Mongolia Calligraphers Association and Inner Mongolia Writers Association; Vice President of the Inner Mongolia Calligraphy and Painting Masters Friendship Association; and Director of the Hohhot Saihan District Staff Calligraphy and Painting Academy. He actively participates in charitable causes, having taken part in numerous charity art auctions organized by governments at all levels for disaster relief and poverty alleviation.
In the field of literature and history, his articles have frequently appeared in authoritative newspapers and journals; Taiwan’s Suiyuan Literature has also published his writings. His publications include Hohhot: The Homeland of Emperors, which received the First Government Award of the Autonomous Region; both Inner Mongolia Television and Hohhot Television produced special lectures on this work. He contributed to editing the Inner Mongolia Autonomous Region · Folklore Chronicle, primarily responsible for the Han ethnic group’s folklore section. For the 50th anniversary of the establishment of the autonomous region, he served as chief editor of Compilation of Hohhot Materials for the 50th Anniversary of the Establishment of Inner Mongolia Autonomous Region and others.
His calligraphy works have been exhibited in provincial and international exhibitions, with some pieces included in their published collections, such as Calligraphy Exhibition: Singapore–Inner Mongolia Joint Exhibition, Calligraphy Invitation Exhibition: Taiwan, and Collection of Contemporary Chinese Couplets in Calligraphy. He has been specially appointed as a Level One Calligrapher by multiple galleries outside the region. He inscribed the epitaph for the statue of the late Inner Mongolia Chairman Yun Bulong in Xilingol League.
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