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Chen Bo
Chen Bo
Personal Profile
Chen Bo, born in Shanghai in 1975, is a national first-grade art master, member of the Hong Kong Calligraphers Association, member of the Hong Kong Artists Association, and special invited artist of the Sydney Chinese Painting and Calligraphy Network.
In April 2018, participated in the "Ink and Brush Sentiment, the Origin of Qibao Temple" Zen Ink and Brush, Shanghai Master Calligraphy and Painting Invitation Exhibition, and her work was collected by Qibao Temple.
In December 2018, won the "Chinese Dream, Labor Beauty" Shanghai Municipal Trade Union Shanghai Workers' Calligraphy and Painting Exhibition Bronze Award
In January 2019, was invited to participate in the "Ink and Brush Sentiment - Outstanding Artists from the Two Sides of the Taiwan Strait Singapore Spring Festival Art Exhibition". Her work was collected by a Singapore entrepreneur. In March 2019, 1st received certification from the National Calligraphy and Painting Master Database In April 9, 2019, her work was published in the United Times In June 2019, was invited to South Korea to participate in the 53rd International Cultural Art Exhibition and won the Silver Award In July 2019, was invited to participate in the International Women's True, Good, and Beautiful Art Exhibition for the 200th Anniversary of Singapore's Founding In July 2019, won the Sixteenth "Lanting Excellent Award" at the "Lanting Cross-Strait Masters Calligraphy and Painting Exhibition" In July 2019, her work was included in "Collection and Appreciation of Works by Chinese Masters" In September 2019, her work was included in the book "Chinese Art for 70 Years" to celebrate the 70th anniversary of the founding of the People's Republic of China. On October 8, 2019, was invited to participate in the Cross-Strait Artists Joint Exhibition at the Wufeng Lin Family Palace in Taiwan On October 18, 2019, China News reported "Praising the Splendor of the Nation with Five Thousand Years of Ink and Brush" and was broadcast on Contemporary International Art Masters and Toutiao. From November 1 to 10, 2019, participated in the Seventeenth "Lanting Cross-Strait Masters Calligraphy and Painting Exhibition" (opened at the Olympic Museum in Xiamen City on November 1) On November 2, 2019, participated in the "Remembering Our Original Aspiration, Keeping Our Mission in Mind" Shanghai Masters Calligraphy and Painting Exhibition to Celebrate the 70th Anniversary of the Founding of the People's Republic of China On February 13, 2020, participated in the "United in the Same Boat, Fighting against the Epidemic" Online Art Exhibition by New Literary and Artistic Groups On February 27, 2020, participated in the Shanghai Xiangmei Painting Academy Anti-Epidemic Special Exhibition On March 7, 2020, reported by Sohu, Phoenix, and NetEase News: "The Beauty of China's Masters and Famous Works" On March 19, 2020, was invited to participate in the Asia Art Exhibition Currently serves as Secretary-General of the Shanghai Bailian Group Calligraphy and Painting Association and Deputy Director of the Liaison Department of the Shanghai Xiangmei Painting Academy.
Ink and Brush Can Express the Subtlety of Jin Rhythm Painting Can Express the Zen Style —— Remembering the Famous Calligrapher and Painter Chen Bo Calligraphy and painting are of the same origin, and their methods are cultivated together. In contemporary calligraphy and painting art, there is a phenomenon where calligraphers do not practice painting, and painters do not write calligraphy, which is a harm to the cultural source of calligraphy and painting being of the same origin. The result is that painting cannot benefit calligraphy, and calligraphy cannot enter painting, and the cultural content of calligraphy and painting continues to shrink. To inherit the cultural character of calligraphy and painting, one must be like the contemporary famous calligrapher and painter Chen Bo, who not only cultivates the elegant taste of Jin rhythm calligraphy but also cultivates the artistic talent of Danqing with Zen rhythm. Only in this way can calligraphy and painting become exquisite, becoming a great achievement in the inheritance of calligraphy and painting culture.
Her calligraphy cultivation has taken a proper path of learning from ancient steles and scrolls. She writes Tang law, with strict rules, and writes Song meaning, with free and unrestrained imagery. Ultimately belonging to the system of the two Wangs, taking Zhongqiu Tie, Lanting Xu, and Kuaxue Shiqing Tie as her model, she persistently studies the scholarly atmosphere of Jin rhythm calligraphy, cultivating the elegant taste of literati calligraphy. Therefore, she can freely express her heart, hold the brush to pursue leisurely clouds, and have ink without obstacles, resonating with Zen rhythm.
Observing her calligraphy, every piece of work is inevitably imbued with the scholarly atmosphere of literati calligraphy, neither impetuous nor harsh, with appropriate extension and contraction, combining strength and softness, and moving the heart with elegance. A piece of "A distant mountain path slopes upward, where white clouds arise, and there are people living there," combines the artistic beauty, posture beauty, and content beauty of calligraphy into a beautiful appreciation, without any flaws, with the subtlety in the turning and shifting, the spiritual quality of brush and ink. Therefore, her cursive script is the revival of the aesthetic charm of the Sanxi Hall collection, with letters at hand and calligraphy formed from the heart! This skillful and natural brushwork is the result of learning from nature, the classic practice of the saying that "there is no object in the world that is not cursive script."
Using calligraphy to enter painting, her paintings have the refined style of literati paintings. She can use accumulated ink to write the bones of mountains and rivers, each stroke strong and firm, standing solid and magnificent. She can also use splashed ink to write the spirit of mountains and rivers, with both form and spirit, and vivid atmosphere. Her paintings have poetry, with the poetic sentiment and artistic beauty of Wang Wei's expressive landscape, pleasing to the eye and worth appreciating. They also have the grand talent of Zhang Daqian's splashed ink landscapes, inviting people to travel in imagination. With a high and distant composition, reaching up to the floating clouds and looking down into the deep valleys, in the lively and free-moving mist and clouds, she writes the concept of emptiness and reality into Zen, gazing at the mountains and rivers, it is indeed the charm of listening to Zen by the wooden door, a mountain and river painting will surely cultivate the Zen interpretation world, entering wisdom from meditation, the extraordinary emotion of ink and water!
The composition method of "one river and two banks" is a philosophical re-creation of Huang Gongwang's expressive "Fu Chun Mountain Residence Map." This bank is real, that bank is divine, my heart awaits passage, emotions reside within, this unique sentiment of communication with the spirit of heaven and earth allows viewers to stay in this image, reluctant to return. Her landscape paintings learn from the methods of Song and Yuan, but she never confines herself to painting landscapes in the study. Traveling ten thousand miles, observing true mountains and rivers, refining the natural appearance of mountains and rivers through visual experience, and cultivating the inner source of the heart. The ink and water spread without dust, then adding light green and elegant colors, it is a refined and elegant scene where color does not hinder ink, and ink does not hinder color, quiet like Zen wind, pure like Zen heart!
Ink and brush can express the subtlety of Jin rhythm, and painting can express the Zen style. Ms. Chen Bo uses the wisdom of contemporary cultural practitioners to completely remove the small elegance of literati paintings, and rebuild the new system of literati painting in the era with the expressive power of ink and water. Expressing feelings through painting, singing through painting, writing the essence of Zen, outputting positive energy of mountains and rivers, the painting is the essence of spirit, and can prove a great masterpiece!
Renowned Calligraphy and Painting Critic Shi Feng December 19, 2019
In January 2019, was invited to participate in the "Ink and Brush Sentiment - Outstanding Artists from the Two Sides of the Taiwan Strait Singapore Spring Festival Art Exhibition". Her work was collected by a Singapore entrepreneur. In March 2019, 1st received certification from the National Calligraphy and Painting Master Database In April 9, 2019, her work was published in the United Times In June 2019, was invited to South Korea to participate in the 53rd International Cultural Art Exhibition and won the Silver Award In July 2019, was invited to participate in the International Women's True, Good, and Beautiful Art Exhibition for the 200th Anniversary of Singapore's Founding In July 2019, won the Sixteenth "Lanting Excellent Award" at the "Lanting Cross-Strait Masters Calligraphy and Painting Exhibition" In July 2019, her work was included in "Collection and Appreciation of Works by Chinese Masters" In September 2019, her work was included in the book "Chinese Art for 70 Years" to celebrate the 70th anniversary of the founding of the People's Republic of China. On October 8, 2019, was invited to participate in the Cross-Strait Artists Joint Exhibition at the Wufeng Lin Family Palace in Taiwan On October 18, 2019, China News reported "Praising the Splendor of the Nation with Five Thousand Years of Ink and Brush" and was broadcast on Contemporary International Art Masters and Toutiao. From November 1 to 10, 2019, participated in the Seventeenth "Lanting Cross-Strait Masters Calligraphy and Painting Exhibition" (opened at the Olympic Museum in Xiamen City on November 1) On November 2, 2019, participated in the "Remembering Our Original Aspiration, Keeping Our Mission in Mind" Shanghai Masters Calligraphy and Painting Exhibition to Celebrate the 70th Anniversary of the Founding of the People's Republic of China On February 13, 2020, participated in the "United in the Same Boat, Fighting against the Epidemic" Online Art Exhibition by New Literary and Artistic Groups On February 27, 2020, participated in the Shanghai Xiangmei Painting Academy Anti-Epidemic Special Exhibition On March 7, 2020, reported by Sohu, Phoenix, and NetEase News: "The Beauty of China's Masters and Famous Works" On March 19, 2020, was invited to participate in the Asia Art Exhibition Currently serves as Secretary-General of the Shanghai Bailian Group Calligraphy and Painting Association and Deputy Director of the Liaison Department of the Shanghai Xiangmei Painting Academy.
Ink and Brush Can Express the Subtlety of Jin Rhythm Painting Can Express the Zen Style —— Remembering the Famous Calligrapher and Painter Chen Bo Calligraphy and painting are of the same origin, and their methods are cultivated together. In contemporary calligraphy and painting art, there is a phenomenon where calligraphers do not practice painting, and painters do not write calligraphy, which is a harm to the cultural source of calligraphy and painting being of the same origin. The result is that painting cannot benefit calligraphy, and calligraphy cannot enter painting, and the cultural content of calligraphy and painting continues to shrink. To inherit the cultural character of calligraphy and painting, one must be like the contemporary famous calligrapher and painter Chen Bo, who not only cultivates the elegant taste of Jin rhythm calligraphy but also cultivates the artistic talent of Danqing with Zen rhythm. Only in this way can calligraphy and painting become exquisite, becoming a great achievement in the inheritance of calligraphy and painting culture.
Her calligraphy cultivation has taken a proper path of learning from ancient steles and scrolls. She writes Tang law, with strict rules, and writes Song meaning, with free and unrestrained imagery. Ultimately belonging to the system of the two Wangs, taking Zhongqiu Tie, Lanting Xu, and Kuaxue Shiqing Tie as her model, she persistently studies the scholarly atmosphere of Jin rhythm calligraphy, cultivating the elegant taste of literati calligraphy. Therefore, she can freely express her heart, hold the brush to pursue leisurely clouds, and have ink without obstacles, resonating with Zen rhythm.
Observing her calligraphy, every piece of work is inevitably imbued with the scholarly atmosphere of literati calligraphy, neither impetuous nor harsh, with appropriate extension and contraction, combining strength and softness, and moving the heart with elegance. A piece of "A distant mountain path slopes upward, where white clouds arise, and there are people living there," combines the artistic beauty, posture beauty, and content beauty of calligraphy into a beautiful appreciation, without any flaws, with the subtlety in the turning and shifting, the spiritual quality of brush and ink. Therefore, her cursive script is the revival of the aesthetic charm of the Sanxi Hall collection, with letters at hand and calligraphy formed from the heart! This skillful and natural brushwork is the result of learning from nature, the classic practice of the saying that "there is no object in the world that is not cursive script."
Using calligraphy to enter painting, her paintings have the refined style of literati paintings. She can use accumulated ink to write the bones of mountains and rivers, each stroke strong and firm, standing solid and magnificent. She can also use splashed ink to write the spirit of mountains and rivers, with both form and spirit, and vivid atmosphere. Her paintings have poetry, with the poetic sentiment and artistic beauty of Wang Wei's expressive landscape, pleasing to the eye and worth appreciating. They also have the grand talent of Zhang Daqian's splashed ink landscapes, inviting people to travel in imagination. With a high and distant composition, reaching up to the floating clouds and looking down into the deep valleys, in the lively and free-moving mist and clouds, she writes the concept of emptiness and reality into Zen, gazing at the mountains and rivers, it is indeed the charm of listening to Zen by the wooden door, a mountain and river painting will surely cultivate the Zen interpretation world, entering wisdom from meditation, the extraordinary emotion of ink and water!
The composition method of "one river and two banks" is a philosophical re-creation of Huang Gongwang's expressive "Fu Chun Mountain Residence Map." This bank is real, that bank is divine, my heart awaits passage, emotions reside within, this unique sentiment of communication with the spirit of heaven and earth allows viewers to stay in this image, reluctant to return. Her landscape paintings learn from the methods of Song and Yuan, but she never confines herself to painting landscapes in the study. Traveling ten thousand miles, observing true mountains and rivers, refining the natural appearance of mountains and rivers through visual experience, and cultivating the inner source of the heart. The ink and water spread without dust, then adding light green and elegant colors, it is a refined and elegant scene where color does not hinder ink, and ink does not hinder color, quiet like Zen wind, pure like Zen heart!
Ink and brush can express the subtlety of Jin rhythm, and painting can express the Zen style. Ms. Chen Bo uses the wisdom of contemporary cultural practitioners to completely remove the small elegance of literati paintings, and rebuild the new system of literati painting in the era with the expressive power of ink and water. Expressing feelings through painting, singing through painting, writing the essence of Zen, outputting positive energy of mountains and rivers, the painting is the essence of spirit, and can prove a great masterpiece!
Renowned Calligraphy and Painting Critic Shi Feng December 19, 2019
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Chen Bo