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Liu Luo Yi
Liu Luo Yi
Personal Profile
Liu Luoyi, male, Han ethnicity, born in 1979, native of Yantai, Shandong. Originally named Liu Jian, also known as Qiankun Hall Master, Bodhi Venerable Lay Practitioner, practitioner of both Chan and Daoist cultivation. A renowned Chinese collector and free-style calligrapher.Awarded “National Annual Art Model Figure” in 2019; received the title of “Meritorious Calligraphy Artist” at the 2019 Huaxia Cup Masters’ Exhibition!!!Invited guest on CCTV in 2019, awarded the title of “Most Distinctive Contemporary Chinese Calligrapher and Painter”!!!His works have been exhibited and awarded multiple times in national, provincial, and municipal art exhibitions; some works are collected by art museums;
Ranked among the top 400 in the 2010 International Chinese Calligraphers and Painters Selection;
Ranked among the top 100 in the 2011 International Chinese Calligraphers and Painters Selection;
Multiple works selected for inclusion in the 2012 Chinese Calligraphers and Painters Anthology;
Awarded the title of “Founder of the Zhongpai School of Painting” in the 2012 International Chinese Calligraphers and Painters Selection;
In 2013, works collected by the Cultural Bureau at the “Exhibition of Calligraphy and Paintings by One Hundred Chinese Masters” held in Hong Kong;
In 2013, awarded the title of “Most Collectible Calligrapher and Painter” in the international Chinese calligraphy and painting community.
Awarded “Artist of Virtue and Artistry” in 2019; won first prize in the 2019 National Competition “Iconic Figures of Contemporary Chinese Calligraphy and Painting,” and included in the publication “Iconic Figures of Contemporary Chinese Calligraphy and Painting.”
Currently holds the positions of:
Director of the Chinese Calligraphers and Painters Association
Chinese Ancient Ceramic Appraiser
Member of the Chinese Collectors Association
Patriarch of the Chinese Daoist Sanxiao Sect
Disciple of the Luo generation in the Chinese Daoist Zhengyi Sect
Closed-door disciple of Grandmaster Qiu Yusong of Zhengyi Daoism
Shandong Junhe Art Co., Ltd., General Manager
Jiangxi Longhu Mountain Celestial Master Talisman, Intangible Cultural Heritage Inheritor
“A flick of the finger startles thunder and lightning; a stroke of the brush stirs wind and clouds.” Master Liu Luoyi has been passionate about calligraphy since childhood, initially specializing in hard-pen cursive script, later transitioning to soft-brush calligraphy. Over more than 30 years of dedicated artistic practice, he has absorbed the strengths of many schools, studied ancient techniques without being confined by them, and steadfastly followed his own path. Maintaining a calm and serene mindset, he has never ceased practicing brushwork, sailing freely in the ocean of art. His continuously explored and innovatively pursued works include sketches, realistic portrayals demonstrating mastery of form, expressive and imaginative romantic expressions; as well as pure, elegant depictions of nature’s beauty. His running and cursive scripts are free from vulgar influences, brimming with artistic charm and profound depth.
Master Liu Luoyi has been interested in metaphysics since childhood. Beginning in 1995, he initially studied Qigong, later following Tibetan Buddhist masters such as Angjiang Zhaxi Rinpoche, Dorje Baden Kanzhi, Jiayong Luozhu, and others to study Vajrayana Buddhism. He has made multiple retreats to Mount Wutai for intensive practice, where he formed a karmic connection with Master Huizhen of the Daoist Sanxiao Sect, who entrusted him with leadership of the sect as its 49th-generation patriarch, to propagate Daoist teachings and compassionately guide all sentient beings. That same year, he also studied Longhu Mountain Celestial Master Talismans and esoteric Zhengyi Daoist teachings under Grandmaster Qiu Yusong. Since ancient times, Buddhism and Daoism have been one family; great masters of both traditions have selflessly transmitted various teachings to Master Liu Luoyi, benefiting him for life. Master Liu Luoyi believes: Daoist methods are not equivalent to magical techniques. Street performers use magical techniques but do not understand that magical techniques and Daoist methods belong to entirely different levels!Those who study only magical techniques without learning the Great Dao or practicing virtue will forever remain low-level street performers; without Dao, magical techniques lose efficacy, ultimately descending into charlatanism and inevitably suffering the fate of “Five Deficiencies and Three Shortcomings.” Similarly, in Buddhism, one must practice wholeheartedly, constantly abiding in a state of emptiness and stillness, vigilantly observing one’s thoughts without being swayed by external conditions—living through practice and practicing through life… integrating Buddhist and Daoist teachings into daily life, practicing earnestly and verifying through experience, benefiting countless sentient beings.
Ranked among the top 400 in the 2010 International Chinese Calligraphers and Painters Selection;
Ranked among the top 100 in the 2011 International Chinese Calligraphers and Painters Selection;
Multiple works selected for inclusion in the 2012 Chinese Calligraphers and Painters Anthology;
Awarded the title of “Founder of the Zhongpai School of Painting” in the 2012 International Chinese Calligraphers and Painters Selection;
In 2013, works collected by the Cultural Bureau at the “Exhibition of Calligraphy and Paintings by One Hundred Chinese Masters” held in Hong Kong;
In 2013, awarded the title of “Most Collectible Calligrapher and Painter” in the international Chinese calligraphy and painting community.
Awarded “Artist of Virtue and Artistry” in 2019; won first prize in the 2019 National Competition “Iconic Figures of Contemporary Chinese Calligraphy and Painting,” and included in the publication “Iconic Figures of Contemporary Chinese Calligraphy and Painting.”
Currently holds the positions of:
Director of the Chinese Calligraphers and Painters Association
Chinese Ancient Ceramic Appraiser
Member of the Chinese Collectors Association
Patriarch of the Chinese Daoist Sanxiao Sect
Disciple of the Luo generation in the Chinese Daoist Zhengyi Sect
Closed-door disciple of Grandmaster Qiu Yusong of Zhengyi Daoism
Shandong Junhe Art Co., Ltd., General Manager
Jiangxi Longhu Mountain Celestial Master Talisman, Intangible Cultural Heritage Inheritor
“A flick of the finger startles thunder and lightning; a stroke of the brush stirs wind and clouds.” Master Liu Luoyi has been passionate about calligraphy since childhood, initially specializing in hard-pen cursive script, later transitioning to soft-brush calligraphy. Over more than 30 years of dedicated artistic practice, he has absorbed the strengths of many schools, studied ancient techniques without being confined by them, and steadfastly followed his own path. Maintaining a calm and serene mindset, he has never ceased practicing brushwork, sailing freely in the ocean of art. His continuously explored and innovatively pursued works include sketches, realistic portrayals demonstrating mastery of form, expressive and imaginative romantic expressions; as well as pure, elegant depictions of nature’s beauty. His running and cursive scripts are free from vulgar influences, brimming with artistic charm and profound depth.
Master Liu Luoyi has been interested in metaphysics since childhood. Beginning in 1995, he initially studied Qigong, later following Tibetan Buddhist masters such as Angjiang Zhaxi Rinpoche, Dorje Baden Kanzhi, Jiayong Luozhu, and others to study Vajrayana Buddhism. He has made multiple retreats to Mount Wutai for intensive practice, where he formed a karmic connection with Master Huizhen of the Daoist Sanxiao Sect, who entrusted him with leadership of the sect as its 49th-generation patriarch, to propagate Daoist teachings and compassionately guide all sentient beings. That same year, he also studied Longhu Mountain Celestial Master Talismans and esoteric Zhengyi Daoist teachings under Grandmaster Qiu Yusong. Since ancient times, Buddhism and Daoism have been one family; great masters of both traditions have selflessly transmitted various teachings to Master Liu Luoyi, benefiting him for life. Master Liu Luoyi believes: Daoist methods are not equivalent to magical techniques. Street performers use magical techniques but do not understand that magical techniques and Daoist methods belong to entirely different levels!Those who study only magical techniques without learning the Great Dao or practicing virtue will forever remain low-level street performers; without Dao, magical techniques lose efficacy, ultimately descending into charlatanism and inevitably suffering the fate of “Five Deficiencies and Three Shortcomings.” Similarly, in Buddhism, one must practice wholeheartedly, constantly abiding in a state of emptiness and stillness, vigilantly observing one’s thoughts without being swayed by external conditions—living through practice and practicing through life… integrating Buddhist and Daoist teachings into daily life, practicing earnestly and verifying through experience, benefiting countless sentient beings.
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Liu Luo Yi