Li Yunfa

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Li Yunfamian's Personal Profile and Artistic Works
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Introduction to Painter Li Yunfamian and Calligrapher Li Yunfamian

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Li Yunfa

Personal Profile

Li Yunfa, a native of Weifang, Shandong, is the master of Yiyazhai Studio. He currently serves as Chairman of the Board of Weifang Yunfa Calligraphy and Painting Academy, President of Yunfa Calligraphy and Painting Academy, Director of Wolong Art Center of Bohai Calligraphy and Painting Academy, member of Shandong Calligraphers and Painters Association, Researcher of Yuandu Military Calligraphy and Painting Institute, Honorary Dean of Qingdao West Coast Art Research Institute, member of China Calligraphers and Painters Association, and former advisor to CCTV Microfilm Channel. Since childhood, he has practiced calligraphy with great passion, having successively studied the stele scripts of Ouyang Xun, Yan Zhenqing, Liu Gongquan, Zhao Mengfu, the Two Wangs (Wang Xizhi and Wang Xianzhi), Mi Fu, Su Shi, and others. Starting with regular script, he later focused on running and cursive scripts, particularly enjoying copying famous works such as Ouyang Xun’s “Thousand Character Classic” and “Inscription on the Jiucheng Palace Sweet Spring,” Wang Xizhi’s “Preface to the Orchid Pavilion,” Zhao Mengfu’s “Ode to the Red Cliff,” “Ode to Leisure,” and “Memorial Address before Departing for War,” Han Daoheng’s “Hundred Rhymes Song of Cursive Script,” Sun Guoting’s “Treatise on Calligraphy,” and Mi Fu’s “Sushu Scroll.” He has extensively studied the stele scripts of the Two Wangs, Mi Fu, Huaisu, Zhang Ruitu, Wang Duo, and other masters. For over forty years, he has persisted in the traditional path of copying ancient masters, learning their brush techniques and spiritual essence, emphasizing cultural cultivation beyond calligraphy, continuously studying traditional Chinese culture, remaining grounded, self-reflecting, and transforming knowledge into personal practice. In recent years, he has placed importance on learning from contemporary calligraphers, studying under Professor Ding Dazhi, visiting scholar at Beijing Normal University, through discussions and exchanges that have greatly benefited him. He has participated multiple times in major national and provincial competitions, winning numerous awards. Representative works such as “Ode to Autumn Sounds” and “Ode to the Red Cliff” have received first and second prizes in Shandong and Weifang.

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