Jin Lang

Jin Lang, styled as Luling Huasheng, was born in 1986 in Jiujiang, Jiangxi, and has loved calligraphy and painting since childhood. (Currently a collaborating artist at Baiyunyan Art Studio.) In 2009, he became a disciple of the renowned Jiangxi painter Mr. Deng Yanqiu. In 2013, he received guidance from the famous Chinese painter Mr. Cheng Liankai. From 2016 to Anhui, he studied under the contemporary renowned monk-painter Master Yan Yi at Toutzi Temple. He is currently a specially appointed artist of the Nanchang Municipal Political Consultative Conference, master of Luling Art Garden, a specially appointed painter of Jiangsu France Art Academy, and a specially appointed painter of Yongxiangji.

Chinese Name: Jin Lang
Nationality: China
Ethnicity: Han
Place of Birth: Jiujiang, Jiangxi
Date of Birth: 1986

Artistic Journey
In 2009, he entered Fengbi Ju and became a disciple of the renowned Jiangxi painter Mr. Deng Yanqiu, quickly emerging as his favorite student.
In 2012, he returned to Jiujiang, Jiangxi, and secluded himself at home to independently study landscape painting techniques.
In 2013, he was invited to exhibit in Xiamen, where he unexpectedly met Mr. Cheng Liankai, a disciple of the master He Haixia. Mr. Cheng highly praised Jin Lang’s exhibited works and later provided him with valuable guidance.
In 2015, he was appointed as a painter for the France Art Academy and was invited to conduct a calligraphy and painting lecture at Nongba Primary School in Xishan District, Wuxi.
In 2016, he had the fortune to meet the renowned Chinese monk-painter Master Yan Yi, and that year traveled to Anhui’s Toutzi Temple to receive instruction from Master Yan Yi.
In 2017, he was appointed as a resident artist at Yongxiangji. During this period, Yongxiangji held a charity auction, and his artworks attracted numerous art enthusiasts who eagerly collected them—all ten pieces were sold out within moments.
 
Artistic Style
Jin Lang initially specialized in meticulous bird-and-flower painting but later transitioned to landscape painting. Influenced by the masters of various dynasties, he deeply admires the traditional scholarly attitude of “ten days for a water, five days for a rock,” which has profoundly shaped his approach and discipline in painting. Studying from the ancients, he meticulously refines brushwork and ink techniques, gradually developing a distinctive style characterized by elegance, beauty, antiquity, and authenticity.