Yan Renlong

Yan Renlong
Personal Profile
  Yan Renlong's Calligraphy: Strict Structure, Elegant and Vigorous    Yan Renlong, also known as Zizhu Tang, with the art name Nanshan Xianke. Born in 1963 in the hometown of Ruzi, Nanchang, Jiangxi Province. Member of the Chinese Calligraphers Association, Member of the Chinese Artists Association, Member of the Chinese Calligraphers and Painters Association, Specialized Calligrapher appointed by the Training Center of the China Folk Calligraphy and Painting Research Society, Member of the Jiangxi Provincial Calligraphers Association, Member of the Jiangxi Provincial Mao-style Calligraphers Association, Member of the Nanchang City Calligraphers Association.    Mr. Yan Renlong has been passionate about calligraphy since childhood, dedicating decades to dedicated exploration and practice of big-character calligraphy, developing his own unique style. In particular, his calligraphy integrates Taoist philosophy—structured rigorously, grand in momentum, balanced between strength and grace, substantial yet dynamic, full-bodied yet elegant, forming an artistic style evoking dragons racing along rivers and tigers shaking mountains, with profound artistic conception.    Mr. Yan Renlong’s calligraphy works have been appraised by a panel of contemporary art appraisal experts, with a market valuation of 1,500 RMB per square foot, and have been successfully listed on the United Cultural Assets Exchange in the United States. He is a calligrapher with tremendous developmental potential. His works were exhibited at the Jiangxi Provincial Library’s exhibition celebrating the 70th Anniversary of the Founding of the PRC and were subsequently collected by the library. His ink painting “Tiger, Strategizing from Behind the Scenes” is held in the collection of the China Folk Calligraphy and Painting Research Society. He has won third prize in the Third Most Influential Calligraphers and Painters Competition, as well as multiple awards in the 11th China Ink Painting Competition, establishing significant influence in the field of calligraphy.
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