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growing pine
Personal Profile
Sheng Changsong, born at the end of the 1980s, is originally from Sheyang, Yangzhou, Jiangsu, and now resides in Yixing, the "Pottery Capital". As a child, he was influenced by his grandfather to learn calligraphy and graduated from Yangzhou Radio and Television University. He is currently a member of the Chinese Youth Artists Association, a member of the Jiangsu Branch of the Chinese Calligraphers Association, a committee member of the Ceramic Art Committee, a member of the Nanjing Seal Society, and a contemporary young ceramic artist.
Started learning to make pottery seals in 2005;
Studied in the National Painting Master Class of the Chinese Academy of Arts in 2007;
His work was selected for the National Youth Art Exhibition in 2008;
Learned to make teapots under the guidance of Pan Chunfang in 2009;
His calligraphy work was selected for the Jiangsu Newcomers' Exhibition in 2010;
Joined the Nanjing Seal Society in 2011;
His calligraphy work was selected for the National Youth Calligraphy Exhibition (Chinese Calligraphers Association) in 2012;
Established Sheng Changsong's Calligraphy and Pottery Carving Studio in Dingshu Town, Yixing City in 2013;
Won the Nomination Award (Highest Score) in the 5th Jiangsu Province Carving Art Exhibition in 2015;
Became a disciple of the Chinese Ceramic Art Master Mao Guoqiang in 2016;
On April 8, 2017, on the occasion of the 63rd anniversary of the establishment of diplomatic relations between China and Norway, he presented the state gift Zisha "Yue Tu Yue Ban Hu" (Moon Rabbit Half Moon Pot), Zisha plate with carving, and calligraphy "Oriental Red" to Norwegian Prime Minister Erna Solberg;
Won the Excellent Award of the Third Man Sheng Cup in 2017;
Held an individual exhibition of Zisha and calligraphy works at the Eight Masters Memorial Hall in Yangzhou on October 22, 2017.
Sheng Changsong grew up in the countryside of Baoying, Jiangsu. As a child, he was influenced by his grandfather to fall in love with calligraphy. His grandfather passed away when he was three years old, and he only remembered his grandfather's silhouette and had never seen him writing calligraphy. At the age of seven, after seeing his grandfather's calligraphy left behind on the roof beam of his house, he became passionately addicted to calligraphy. He officially started copying calligraphy in the third grade of primary school. At the age of 17, during the summer vacation, he visited relatives in Yixing and had the opportunity to get in touch with Zisha. He became fascinated with Zisha calligraphy carving and fell in love with this industry. He made a firm belief that his future life would be dedicated to this profession. After becoming an adult, he wanted to become a calligrapher, painter, and ceramic artist. At the age of 22, he worked in a painting workshop in Yangzhou for 15 months, and at the age of 23, he went to Beijing to study Chinese painting at the Chinese Academy of Arts. He lived in Beijing for two years and then returned to Yixing. In 2008, he bought a house in Dingshu, Yixing, and established a studio. In his later artistic career, he was very diligent and hardworking, always firmly adhering to his beliefs. He said he must achieve something. From 2011 to 2018, within seven years, he participated in multiple exhibitions and won awards from the Chinese Calligraphers Association, provincial calligraphers association, and city ceramic association. More and more people began to pay attention to him, and his circle of friends and collectors gradually increased. Initially, his works were ignored, but after becoming famous, his Zisha works were in high demand, and they became hot items in many auction houses. Looking back on his life, there is a sense of hardship, but Sheng Changsong takes it all lightly. He said that in the future, he will focus his career on creation. Artists should create works with heart, while the market should be handled by merchants, leaving better things for people to appreciate.
Sheng Changsong's calligraphy is ancient, solid, vigorous, elegant, and smooth, which attracts attention. The Zisha production is exquisite, the shape is simple, the clay is excellent, the style is refined and elegant, pure and simple, the texture is delicate, the pattern is exquisite, and the artistic value is high, which has attracted much attention. It shows Sheng Changsong's ideological tendency, fully demonstrating the profound traditional culture and calligraphy art background. Through the form of Zisha and calligraphy, it not only spreads traditional cultural knowledge, but also promotes the great righteousness of the Chinese nation. The integration of calligraphy and painting works on Zisha vessels is extraordinary, and he is a young and promising person with an endless future!
Wu Weishan, Vice Chairman of the China Artists Association and Director of the China Art Museum, commented on Sheng Changsong's works: The student's works are inspired by ancient masters and have their own unique style. Combining calligraphy and seal carving, he carves them on Zisha, which is very appreciable.
Mao Guoqiang, a famous master of arts and crafts and a Chinese Ceramic Art Master, commented on Sheng Changsong's works: Young people with solid calligraphy skills, written very well, and performing so excellently in ceramic art! Rare, I really appreciate your works.
Pan Chunfang, a professor at Nanjing Institute of Arts and a famous Zisha scholar, commented on Sheng Changsong's works: My younger brother's calligraphy learns from tradition and follows his own style, which is unique.
Zhu Jianzhu, a professor at Nanjing Institute of Arts, a full-time painter at Nanjing Art Museum, and a new literati painter, commented on Sheng Changsong's works: Sheng Changsong enters the ceramic art through the way of calligraphy and seal carving, injecting aesthetics and artistry into his Zisha handicrafts. His Zisha creations are harmonious between the Dao and the vessel, suitable for both appreciation and use, and have high collection value.
Started learning to make pottery seals in 2005;
Studied in the National Painting Master Class of the Chinese Academy of Arts in 2007;
His work was selected for the National Youth Art Exhibition in 2008;
Learned to make teapots under the guidance of Pan Chunfang in 2009;
His calligraphy work was selected for the Jiangsu Newcomers' Exhibition in 2010;
Joined the Nanjing Seal Society in 2011;
His calligraphy work was selected for the National Youth Calligraphy Exhibition (Chinese Calligraphers Association) in 2012;
Established Sheng Changsong's Calligraphy and Pottery Carving Studio in Dingshu Town, Yixing City in 2013;
Won the Nomination Award (Highest Score) in the 5th Jiangsu Province Carving Art Exhibition in 2015;
Became a disciple of the Chinese Ceramic Art Master Mao Guoqiang in 2016;
On April 8, 2017, on the occasion of the 63rd anniversary of the establishment of diplomatic relations between China and Norway, he presented the state gift Zisha "Yue Tu Yue Ban Hu" (Moon Rabbit Half Moon Pot), Zisha plate with carving, and calligraphy "Oriental Red" to Norwegian Prime Minister Erna Solberg;
Won the Excellent Award of the Third Man Sheng Cup in 2017;
Held an individual exhibition of Zisha and calligraphy works at the Eight Masters Memorial Hall in Yangzhou on October 22, 2017.
Sheng Changsong grew up in the countryside of Baoying, Jiangsu. As a child, he was influenced by his grandfather to fall in love with calligraphy. His grandfather passed away when he was three years old, and he only remembered his grandfather's silhouette and had never seen him writing calligraphy. At the age of seven, after seeing his grandfather's calligraphy left behind on the roof beam of his house, he became passionately addicted to calligraphy. He officially started copying calligraphy in the third grade of primary school. At the age of 17, during the summer vacation, he visited relatives in Yixing and had the opportunity to get in touch with Zisha. He became fascinated with Zisha calligraphy carving and fell in love with this industry. He made a firm belief that his future life would be dedicated to this profession. After becoming an adult, he wanted to become a calligrapher, painter, and ceramic artist. At the age of 22, he worked in a painting workshop in Yangzhou for 15 months, and at the age of 23, he went to Beijing to study Chinese painting at the Chinese Academy of Arts. He lived in Beijing for two years and then returned to Yixing. In 2008, he bought a house in Dingshu, Yixing, and established a studio. In his later artistic career, he was very diligent and hardworking, always firmly adhering to his beliefs. He said he must achieve something. From 2011 to 2018, within seven years, he participated in multiple exhibitions and won awards from the Chinese Calligraphers Association, provincial calligraphers association, and city ceramic association. More and more people began to pay attention to him, and his circle of friends and collectors gradually increased. Initially, his works were ignored, but after becoming famous, his Zisha works were in high demand, and they became hot items in many auction houses. Looking back on his life, there is a sense of hardship, but Sheng Changsong takes it all lightly. He said that in the future, he will focus his career on creation. Artists should create works with heart, while the market should be handled by merchants, leaving better things for people to appreciate.
Sheng Changsong's calligraphy is ancient, solid, vigorous, elegant, and smooth, which attracts attention. The Zisha production is exquisite, the shape is simple, the clay is excellent, the style is refined and elegant, pure and simple, the texture is delicate, the pattern is exquisite, and the artistic value is high, which has attracted much attention. It shows Sheng Changsong's ideological tendency, fully demonstrating the profound traditional culture and calligraphy art background. Through the form of Zisha and calligraphy, it not only spreads traditional cultural knowledge, but also promotes the great righteousness of the Chinese nation. The integration of calligraphy and painting works on Zisha vessels is extraordinary, and he is a young and promising person with an endless future!
Wu Weishan, Vice Chairman of the China Artists Association and Director of the China Art Museum, commented on Sheng Changsong's works: The student's works are inspired by ancient masters and have their own unique style. Combining calligraphy and seal carving, he carves them on Zisha, which is very appreciable.
Mao Guoqiang, a famous master of arts and crafts and a Chinese Ceramic Art Master, commented on Sheng Changsong's works: Young people with solid calligraphy skills, written very well, and performing so excellently in ceramic art! Rare, I really appreciate your works.
Pan Chunfang, a professor at Nanjing Institute of Arts and a famous Zisha scholar, commented on Sheng Changsong's works: My younger brother's calligraphy learns from tradition and follows his own style, which is unique.
Zhu Jianzhu, a professor at Nanjing Institute of Arts, a full-time painter at Nanjing Art Museum, and a new literati painter, commented on Sheng Changsong's works: Sheng Changsong enters the ceramic art through the way of calligraphy and seal carving, injecting aesthetics and artistry into his Zisha handicrafts. His Zisha creations are harmonious between the Dao and the vessel, suitable for both appreciation and use, and have high collection value.
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growing pine