Wu Jinhua

Wu Jinhua, Dharma name Shi Xingjin, courtesy name Chonghua, studio name Qingyun Pavilion, Han ethnicity, born in June 1982, member of the Communist Party of China, ancestral home in Xinyang, Henan Province. Currently serving as Chairman of Du Anju Group, founder of Puti Tang, council member of the Chinese Traditional Culture Poetry, Painting, and Calligraphy Association, director of the Shaoshi Temple Zhengzhou Office, secretary-general and director of the Henan branch of the Shaoshi Mountain Chan Painting and Calligraphy Academy, vice-secretary-general of the Henan Painting and Calligraphy Society, and calligraphy creator. Featured personality on Sina Collection, among the Top 100 Chinese Good Brand Calligraphy and Painting Artists, first prize winner of the First National Online Calligraphy Art Competition. His works have been exhibited in the "Commemoration of the 80th Anniversary of the Victory of the Long March and the 103rd Anniversary of the Birth of Xi Zhongxun" Calligraphy and Painting Exhibition and the "Celebration of the 90th Anniversary of the Founding of the People's Liberation Army" Calligraphy and Painting Exhibition. According to the international ISO2000 art value assessment standard, reviewed and certified by the Chinese Calligraphy and Painting Market Value Evaluation Committee and the International ISO2000 Art Value Certification Center, his calligraphy works have been appraised with a market reference price of RMB 4,600–6,600 per square foot (Certificate No.: ISO170128). Wu Jinhua’s connection with calligraphy stems from the profound influence of his father. Born into a scholarly family, he developed an early passion for calligraphy and has spent decades diligently studying ancient steles and rubbings without interruption. He is proficient in regular, clerical, running, and cursive scripts, with a primary focus on running and clerical styles. His works are rich in ideological depth, well-structured in composition; his brushwork is fluid, natural, unrestrained, simple yet grand, powerful, and stylistically diverse. They demonstrate both deep traditional foundation and a vibrant contemporary spirit, earning widespread appreciation from audiences and acclaim from the art community. His works are widely collected by entrepreneurs and calligraphy enthusiasts both domestically and internationally, making him a rare young calligrapher.