Zhang Yongxiang
	 Zhang Yongxiang 
 
 Personal Profile
 
	
   Zhang Yongxiang, male, Han ethnicity, native of Tongwei, Gansu Province, a member of the Communist Party of China, retired veteran of a mobile unit, currently a member of People's Calligraphy and Painting Masters Network, member of China Online Calligraphy Alliance, contracted writer (poet) of China Literature and Art Alliance, member of National Primary and Secondary School Calligraphy Teaching Alliance (passed preliminary review), member of Gansu Provincial Association of Hard-pen Calligraphers, member of Chinese Calligraphy Education Gansu Youth Painting and Calligraphy Academy, contracted writer of Changhe Culture Network and Changhe Poetry Journal, and contracted photographer of Changhe Photography Studio. Specializes in calligraphy and seal carving, while also studying literature, writing, classical poetry, lyrical operas, and other traditional cultures.
Since childhood influenced by local cultural heritage, he has developed an inseparable bond with calligraphy. He successively studied regular script works including "Jiucheng Palace", "Yan Tower Holy Teaching Preface", and "Zhang Heiniu Stele"; small regular script works such as "Imperial Rampart Thirteen Rows", "Huangting Classic", "Yue Yi Lun", and "Xuanshi Table". In seal script, he learned from Wu Changshuo's "Stone Drum Inscriptions"; in clerical script, he studied "Cao Quan Stele" and "Zhang Qian Stele"; in running script, he followed Wang Xizhi's "Holy Teaching Preface" and "Lanting Xu"; in cursive script, he studied "Seventeen Posts" and "Shupu". His calligraphic works excel in regular and clerical scripts, while also exploring running and cursive scripts. His literary works mainly consist of notes, essays, and prose.
	
	
	 
	
 Since childhood influenced by local cultural heritage, he has developed an inseparable bond with calligraphy. He successively studied regular script works including "Jiucheng Palace", "Yan Tower Holy Teaching Preface", and "Zhang Heiniu Stele"; small regular script works such as "Imperial Rampart Thirteen Rows", "Huangting Classic", "Yue Yi Lun", and "Xuanshi Table". In seal script, he learned from Wu Changshuo's "Stone Drum Inscriptions"; in clerical script, he studied "Cao Quan Stele" and "Zhang Qian Stele"; in running script, he followed Wang Xizhi's "Holy Teaching Preface" and "Lanting Xu"; in cursive script, he studied "Seventeen Posts" and "Shupu". His calligraphic works excel in regular and clerical scripts, while also exploring running and cursive scripts. His literary works mainly consist of notes, essays, and prose.
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		 Zhang Yongxiang						 
			 
 
    
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