Huang Guoquan
Huang Guoquan, teacher of traditional Chinese painting at Eden Social Welfare Foundation
Personal Profile
Huang Guoquan was born in Yunlin, Taiwan in 1953. He graduated from the Chinese Painting Department of the National Taiwan Academy of Arts in 1976. In junior high school, he began his pursuit of art under the guidance of teacher Chen Cheng. In high school, in addition to teacher Chen Cheng, under the guidance of teachers Jiang Qingrong and Yao Hao, a comprehensive foundation of both Chinese and Western painting was established. In order to grow oneself during the semester, any data that is helpful for learning is never left behind. In the era of information scarcity
The 'Mustard Seed Garden Painting Manual' has become my learning treasure. Especially the mountains, rocks, and trees of the 'Four Kings', Tang Yin's brushwork and ink painting, and Song Huizong's flowers and birds ... They are often templates that I spontaneously learn and copy.
After entering the art school, under the guidance of dozens of renowned teachers such as Li Qimao, Su Fengnan, and Fu Zhuanfu, I embarked on a new journey of learning, regardless of mountains, waters, flowers, freehand brushwork, and meticulous brushwork Always hold an attitude of learning whenever there is teaching, attending whenever there is class, and asking whenever there is doubt, humbly pursuing one's own goals. In the study room, I always remember the teacher's saying, 'Preparing for competitions is the best way to motivate personal growth.' Therefore, I will never give up easily in any competition or exhibition. I will do my best and give it my all. The requirement for the work is to never give up until the ideal is achieved, only to redraw without compromise.
I remember the words that our teacher often encouraged us, 'The fruit of success is for those who stand under the stage for a long time.' There are no shortcuts, no opportunities, only perseverance. So watching more, thinking more, and drawing more has become a reflection of my student life.
然為了增廣視野,豐富繪畫素材,透過攝影來取得和研究是我繪畫之餘最首要的工作,舉凡山川景物,飛禽走獸,一草一木,只要對繪畫有助益的,皆是拍攝目標。因為在繪畫的理念上我堅持不畫未曾見過的,必先求其真才能得其神。
隨著科技的進步,數位時代的來臨,1998年起即藉由painter繪畫軟體,在電腦的虛擬世界裡,模擬東方繪畫的筆墨,在華人世界裡開啟了虛擬數位水墨繪畫。這項創舉也獲得各界高度肯定。
在個人繪畫領域裡,秉著長年學習傳統的基礎,融合西方美學的概念,應用中西媒材的特色在現代環境中表現個人思維,在不違背水墨基本精神的理念下,以自然為精神,以外師為心源,以心靈為歸依的境界。在這人才濟濟,百家爭鳴的藝術領域裡,唯有自己造路自己走,因而,來自心靈深處的靜,意識盡頭的空,筆墨洗滌的靈,就是我用來交織畫面的靈魂。
摘錄當今水墨名家劉建忠先生所言「昔人狀文人之為文如雕龍,益言其為物,時隱時顯,騰趠變化,妙手偶得.........」 ,雖褒過其實,但此境卻是我努力奮鬥的目標。
榮耀 第三屆全國書畫比賽國畫第一名 第二屆南美展國畫第一名 第44屆全省美展國畫教育廳獎 第45屆全省美展國畫優選 第12屆全國美展國畫佳作 第8屆台北市美展國畫佳作 2015海峽兩岸百大名家書畫展水墨類金牌獎 2004世界文化科技貢獻金鼎獎 2004二十一世紀華裔百科專家卓越成就獎 2004獲贈世界文化名人資格榮譽獎 第三波雜誌數位國畫專欄作家 2016獲贈台灣第一牡丹畫家殊榮 2004創辦黃國全藝術學苑 作品榮獲國立美術館典藏 作品榮獲國父紀念館典藏 作品榮獲中國山東高唐李奇茂美術館典藏 作品榮獲洛陽龍門書畫學院典藏 現任 財團法人伊甸社會福利基金會國畫教師 黃國全藝術學院負責人暨美術教師 台北市中山社大國畫教師 台北市現代藝術家學會創辦人 台北市中華書畫學會監事 洛陽龍門書畫學院榮譽院長
The 'Mustard Seed Garden Painting Manual' has become my learning treasure. Especially the mountains, rocks, and trees of the 'Four Kings', Tang Yin's brushwork and ink painting, and Song Huizong's flowers and birds ... They are often templates that I spontaneously learn and copy.
After entering the art school, under the guidance of dozens of renowned teachers such as Li Qimao, Su Fengnan, and Fu Zhuanfu, I embarked on a new journey of learning, regardless of mountains, waters, flowers, freehand brushwork, and meticulous brushwork Always hold an attitude of learning whenever there is teaching, attending whenever there is class, and asking whenever there is doubt, humbly pursuing one's own goals. In the study room, I always remember the teacher's saying, 'Preparing for competitions is the best way to motivate personal growth.' Therefore, I will never give up easily in any competition or exhibition. I will do my best and give it my all. The requirement for the work is to never give up until the ideal is achieved, only to redraw without compromise.
I remember the words that our teacher often encouraged us, 'The fruit of success is for those who stand under the stage for a long time.' There are no shortcuts, no opportunities, only perseverance. So watching more, thinking more, and drawing more has become a reflection of my student life.
然為了增廣視野,豐富繪畫素材,透過攝影來取得和研究是我繪畫之餘最首要的工作,舉凡山川景物,飛禽走獸,一草一木,只要對繪畫有助益的,皆是拍攝目標。因為在繪畫的理念上我堅持不畫未曾見過的,必先求其真才能得其神。
隨著科技的進步,數位時代的來臨,1998年起即藉由painter繪畫軟體,在電腦的虛擬世界裡,模擬東方繪畫的筆墨,在華人世界裡開啟了虛擬數位水墨繪畫。這項創舉也獲得各界高度肯定。
在個人繪畫領域裡,秉著長年學習傳統的基礎,融合西方美學的概念,應用中西媒材的特色在現代環境中表現個人思維,在不違背水墨基本精神的理念下,以自然為精神,以外師為心源,以心靈為歸依的境界。在這人才濟濟,百家爭鳴的藝術領域裡,唯有自己造路自己走,因而,來自心靈深處的靜,意識盡頭的空,筆墨洗滌的靈,就是我用來交織畫面的靈魂。
摘錄當今水墨名家劉建忠先生所言「昔人狀文人之為文如雕龍,益言其為物,時隱時顯,騰趠變化,妙手偶得.........」 ,雖褒過其實,但此境卻是我努力奮鬥的目標。
榮耀 第三屆全國書畫比賽國畫第一名 第二屆南美展國畫第一名 第44屆全省美展國畫教育廳獎 第45屆全省美展國畫優選 第12屆全國美展國畫佳作 第8屆台北市美展國畫佳作 2015海峽兩岸百大名家書畫展水墨類金牌獎 2004世界文化科技貢獻金鼎獎 2004二十一世紀華裔百科專家卓越成就獎 2004獲贈世界文化名人資格榮譽獎 第三波雜誌數位國畫專欄作家 2016獲贈台灣第一牡丹畫家殊榮 2004創辦黃國全藝術學苑 作品榮獲國立美術館典藏 作品榮獲國父紀念館典藏 作品榮獲中國山東高唐李奇茂美術館典藏 作品榮獲洛陽龍門書畫學院典藏 現任 財團法人伊甸社會福利基金會國畫教師 黃國全藝術學院負責人暨美術教師 台北市中山社大國畫教師 台北市現代藝術家學會創辦人 台北市中華書畫學會監事 洛陽龍門書畫學院榮譽院長
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