中文 
en 
Wang Chuan
Wang Chuan
Personal Profile
Wang Chuan, male, born in Beijing in 1966, native of Hebei Rongcheng (Xiong'an New Area), postgraduate degree, cultural scholar, calligrapher. He is appointed as the Executive Vice President and Chief Researcher of the Chinese (Hong Kong) Calligraphy Research Institute, Director of the Calligraphy Research Committee of the Chinese National Painting Creation Research Institute, Member and Deputy Secretary-General of the China-South Korea Artists Exchange Association, Researcher of the Confucianism and Management Research Center of Communication University of China, Cultural Advisor of the Ji Xiaolan's Former Residence Museum in Beijing, and expert in the study of Hu Xueyan.
Wang Chuan has worked in higher education institutions, government agencies, enterprises, and media, with rich experience and profound foundation. He has studied and researched many fields such as calligraphy, Confucianism, literature, philosophy, aesthetics, and management. In recent years, Wang Chuan has made full use of his solid foundation to focus on calligraphy research, achieving comprehensive development in five major styles of calligraphy: seal script, clerical script, regular script, running script, and cursive script, creating a large number of works. Experts have proposed to study the "Wang Chuan phenomenon" and the impact of social experience and cultural background on calligraphy. Media evaluations of Wang Chuan's calligraphy emphasize its simplicity, thickness, strength, and grandeur, as well as its wit in clumsiness and taste in elegance. He strives to integrate the delicacy and flexibility of stele calligraphy with the antiquity and vastness of stone inscriptions, forming a style that is thick, primitive, full of flavor, and elegant. Wang Chuan was invited to participate in the cultural exchange activities celebrating the 60th anniversary of Sino-Egyptian diplomatic relations. His calligraphy work "Dream", which expresses the theme of the Chinese Dream, was collected by the Egyptian Embassy in China. He has been invited multiple times to participate in the [Art Masters Invitation Exhibition] hosted by the China National Academy of Painting Art Center, and has also been invited to participate in the 5th International Cultural Management Annual Conference. His works are collected by society both at home and abroad.
Wang Chuan not only has conducted a large amount of practical calligraphy creation, but also put forward many unique views in calligraphy theory based on his calligraphy practice. Among them, articles such as "On Several Issues Concerning Calligraphy", "On Art as a Subtle Grasp", "Only When Eyes Are High and Hands Low Can One Continuously Improve in Learning Calligraphy", "On Simple Aesthetics and Calligraphy Aesthetics", "Improving Calligraphy Aesthetic Vision", "The Aesthetic Standards and Preferences of Calligraphy", and "On Martial Arts and Calligraphy" have had a wide influence. Especially the article "Not Understanding 'Ugly Calligraphy' Is Essentially Not Understanding Calligraphy" caused a strong reaction.
Wang Chuan has worked in higher education institutions, government agencies, enterprises, and media, with rich experience and profound foundation. He has studied and researched many fields such as calligraphy, Confucianism, literature, philosophy, aesthetics, and management. In recent years, Wang Chuan has made full use of his solid foundation to focus on calligraphy research, achieving comprehensive development in five major styles of calligraphy: seal script, clerical script, regular script, running script, and cursive script, creating a large number of works. Experts have proposed to study the "Wang Chuan phenomenon" and the impact of social experience and cultural background on calligraphy. Media evaluations of Wang Chuan's calligraphy emphasize its simplicity, thickness, strength, and grandeur, as well as its wit in clumsiness and taste in elegance. He strives to integrate the delicacy and flexibility of stele calligraphy with the antiquity and vastness of stone inscriptions, forming a style that is thick, primitive, full of flavor, and elegant. Wang Chuan was invited to participate in the cultural exchange activities celebrating the 60th anniversary of Sino-Egyptian diplomatic relations. His calligraphy work "Dream", which expresses the theme of the Chinese Dream, was collected by the Egyptian Embassy in China. He has been invited multiple times to participate in the [Art Masters Invitation Exhibition] hosted by the China National Academy of Painting Art Center, and has also been invited to participate in the 5th International Cultural Management Annual Conference. His works are collected by society both at home and abroad.
Wang Chuan not only has conducted a large amount of practical calligraphy creation, but also put forward many unique views in calligraphy theory based on his calligraphy practice. Among them, articles such as "On Several Issues Concerning Calligraphy", "On Art as a Subtle Grasp", "Only When Eyes Are High and Hands Low Can One Continuously Improve in Learning Calligraphy", "On Simple Aesthetics and Calligraphy Aesthetics", "Improving Calligraphy Aesthetic Vision", "The Aesthetic Standards and Preferences of Calligraphy", and "On Martial Arts and Calligraphy" have had a wide influence. Especially the article "Not Understanding 'Ugly Calligraphy' Is Essentially Not Understanding Calligraphy" caused a strong reaction.
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Wang Chuan