Liu Shiceng

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Liu Shicengmian's Personal Profile and Artistic Works
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Introduction to Painter Liu Shicengmian and Calligrapher Liu Shicengmian

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Liu Shiceng

Personal Profile

Liu Shizeng, styled Moyuan, is a member of the China Calligraphers Association and the China Artists Association, a National First-Class Artist, and a First-Class Calligrapher. He studied under Fan Zeng, inheriting the essence of Fan Zeng’s brushwork in both calligraphy and figure painting. His works have been repeatedly selected for national exhibitions and have won awards. His work "Shi Du Impression" was included in the China Artists Association's "2000 National Chinese Painting Exhibition." His work "Ten Thousand Mountains in Motion, the Chan Home in Stillness" received the Excellence Award at the China Artists Association's "2001 National Chinese Painting Exhibition." His work "Secluded Residence by Stream and Mountain" was selected for the China Artists Association's "First National TV Chinese Painting Competition." His work "Deep in the Stream and Mountain" was selected for the China Artists Association's "National Youth National Day Calligraphy and Painting Exhibition." In May 2001 and November 2005, he held two personal exhibitions of calligraphy, figure, and landscape paintings in Beijing. He has also participated in numerous group exhibitions in Jinan, Beijing, Xiamen, and other places.

Liu Shizeng's art pricing ranges from 8,000 to 20,000 RMB per square foot.

To study calligraphy and ink painting, one must be profoundly influenced by scholarly cultivation. If a person lacks deep cultural refinement and spiritual elevation, his calligraphic works will hardly reach the highest artistic level! Liu Shizeng’s numerous calligraphic works are firmly grounded in his personal cultural cultivation. His scholarship not only endows his works with an exceptionally high cultural atmosphere but also brings a gentle, scholarly aura to the calligraphy world! Liu Shizeng’s calligraphy naturally demonstrates profound skill: his brushwork flows neither hurriedly nor stagnantly, powerful yet steady; the lines undulate gracefully—sometimes rugged and ancient, sometimes soft and harmonious—and the overall composition is naturally expansive and majestically unified. Viewing his works feels like standing before ancient steles, as if the fragrance of books fills the air!

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